史蒂芬·賀夫的貝多芬之夜

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導賞  史蒂芬·賀夫的這場音樂會遲到了整整兩年。貝多芬的第三鋼琴協奏曲與第五鋼琴協奏曲“皇帝”,原本是他計劃在中國愛樂樂團2019-2020音樂季的閉幕音樂會上演奏的,獻給貝多芬誕辰250周年。由于眾所周知的原因,中國愛樂樂團在2020年上半年安排的音樂季演出都因故取消。兩年之后,就像是一份遲到了兩年終于兌現的約定,這位享譽世界的英國鋼琴家終于要把這兩首協奏曲獻給北京的聽眾,同時也算是向貝多芬送上遲來的生日祝福。擔任這場音樂會指揮的是新銳指揮家張櫓,本場音樂會是兩位音樂家第一次與中國愛樂樂團合作。

在貝多芬的五部鋼琴協奏曲里,前兩部相對早期的作品還并不能代表最純正的貝多芬風格,與其他古典主義作曲家的相似之處多過了個性的部分。貝多芬在第三鋼琴協奏曲里真正展現出了自己的風格,而8年后的第五鋼琴協奏曲“皇帝”則堪稱貝多芬所有音樂體裁里最杰出的作品之一。在1825年,一位音樂評論家曾抱怨,為什么那么多歌劇可以每年上演幾十次、上百次,而貝多芬的鋼琴協奏曲就不能多上演幾次呢?幸好,絕大多數那個年代粗制濫造的歌劇早已得不到演出的機會,而貝多芬的鋼琴協奏曲則常演不衰。

聽眾還將在音樂會上欣賞到《萊奧諾拉》第三序曲,這是貝多芬為其一生中唯一的一部歌劇作品所寫下的第三首序曲,貝多芬一共為這部歌劇(原名《萊奧諾拉》,后改名為《費德里奧》)寫過四首序曲,足見作曲家對作品的精雕細琢嚴苛到了何等程度。《萊奧諾拉》第三序曲是這四首序曲中篇幅最長的,同時也是藝術價值最高的,是一首值得音樂愛好者反復聆聽的佳作。


史蒂芬·賀夫的貝多芬之夜

Stephen Hough plays Beethoven concertos


路德維希·范·貝多芬:《萊奧諾拉》第三序曲,作品72b

路德維希·范·貝多芬:C小調第三鋼琴協奏曲,作品37

路德維希·范·貝多芬:降E大調第五鋼琴協奏曲,作品73


鋼琴:史蒂芬·賀夫

指揮:張櫓


鋼琴:史蒂芬·賀夫


指揮:張櫓

中國青年指揮兼鋼琴家張櫓生于一個音樂家庭。1993年,他在俄羅斯功勛藝術家葉蓮娜·卡敏斯卡婭門下開始學習鋼琴,2006年進入上海音樂學院攻讀樂隊指揮和鋼琴雙專業,師從余隆、張國勇、吳迎、邵丹、盛一奇、孫穎迪。2013年前往芬蘭學習樂隊指揮,隨后進入羅馬“圣·切契里亞”音樂學院,師從盧坎托尼教授,并隨斯卡拉歌劇院首席藝術指導內爾森·卡爾茲學習歌劇藝術指導。學習期間他也獲得過指揮大師羅日杰斯特文斯基、夏爾·迪圖瓦以及鋼琴大師格拉夫曼、巴杜拉·斯柯達、傅聰等人的指導。

幼年時期的張櫓就已表現出不俗潛質,曾兩度獲得莫斯科國際青少年鋼琴比賽小年齡組第一名,1994年獲得“卡巴列夫斯基作品演奏比賽”第一名,還連續四年獲得俄羅斯“新人新名”國際文化藝術基金會所頒發的獎學金。大學期間,他也曾在2009年“金鐘獎”鋼琴比賽、2013年“金鐘獎”鋼琴與弦樂重奏比賽中獲得銀獎。

1996年,張櫓與俄羅斯國家文化部交響樂團合作,在莫斯科的柴可夫斯基音樂學院大廳演奏貝多芬《第一鋼琴協奏曲》,得到樂團與聽眾的高度贊揚,自此開啟了他的職業生涯。作為鋼琴家和指揮家,張櫓與國內外諸多樂團保持合作,如中國愛樂樂團、上海交響樂團、廣州交響樂團、深圳交響樂團、杭州愛樂樂團、俄羅斯沃羅涅日州交響樂團、芬蘭庫奧皮奧交響樂團、芬蘭塞伊奈約基市立交響樂團、匈牙利索爾諾克交響樂團、意大利托斯卡納交響樂團等。

1999年,張櫓應美國舊金山市市長邀請,前往該市舉辦多場獨奏音樂會。2013年,深圳交響樂團在其執棒下,與大提琴家蘇珊·拉蒙合作灌錄了一張包含埃爾加大提琴協奏曲、布洛赫《狂想曲》以及布魯赫《晚禱》等曲目的專輯。2018年,他與作曲家譚盾和挪威小提琴家艾荷茗合作,在挪威國王對華國事訪問宴會上進行表演。2019年,張櫓受意大利第五十二屆多尼采蒂音樂節邀請,以指揮家的身份與意大利托斯卡納交響樂團合作,又以鋼琴家的身份與林大葉合作了該藝術節的閉幕式音樂會。張櫓曾作為著名作曲家、指揮家譚盾的助理指揮,參加了譚盾音樂周、譚盾音藥周、武俠三部曲音樂會、搖滾交響音樂會;同時他也積極投身中國現代歌劇發展,于2019年指揮了歌劇《雙翼神馬》的演出(導演陳蔚)。

2020年,張櫓成為上海交響樂團助理指揮。


Ludwig van BEETHOVEN: Leonore Overture No. 3, Op.72b

Ludwig van BEETHOVEN: Piano Concerto No. 3 in C minor, Op.37

Ludwig van BEETHOVEN: Piano Concerto No. 5 in E-flat major (“Emperor”), Op.73



Stephen HOUGH, piano

ZHANG Lu, conductor


Stephen HOUGH, piano

Named by The Economist as one of Twenty Living Polymaths, Stephen Hough combines a distinguished career as a pianist with those of composer and writer. He was the first classical performer to be awarded a MacArthur Fellowship and was made a Commander of the Order of the British Empire (CBE) in the New Year’s Honours 2014. 

On 1 June 2020, Hough re-opened Wigmore Hall, performing the UK’s first live classical music concert in a major venue since the nationwide lockdown in March. Later that summer he made his 29th appearance at the BBC Proms performing Beethoven’s Piano Concerto No.2 with BBC Scottish Symphony Orchestra. Currently scheduled concerts in 2020/21 include concerto performances with the Philharmonia, London Philharmonic, City of Birmingham Symphony and Royal Liverpool Philharmonic orchestras, NDR Radiophilharmonie Hannover, Cincinnati and Atlanta symphony orchestras, Seoul Philharmonic and the National Symphony Orchestra, Taiwan.

Hough is a regular guest at festivals such as Salzburg, Mostly Mozart, Edinburgh, La Roque-d'Anthéron and Aldeburgh. Recent highlights include performances with New York and London Philharmonic orchestras, Wiener Symphoniker, Cleveland and Minnesota orchestras, and the Finnish Radio, Tokyo, Toronto, Singapore, Iceland and City of Birmingham Symphony orchestras.  In the 2019/20 season, he spearheaded a five-concert Brahms series at Wigmore Hall, performing with Renaud Capu?on, Steven Isserlis, Michael Collins and the Castalian Quartet.

Hough’s extensive discography of over 60 CDs has garnered international awards including the Diapason d’Or de l’Année, several Grammy nominations, and eight Gramophone Awards including Record of the Year and the Gold Disc. Recent releases include Beethoven’s complete piano concertos (with the Finnish Radio Symphony Orchestra under Hannu Lintu), ‘The Final Piano Pieces’ of Brahms, solo piano works by Debussy, Hough’s ‘Dream Album’, and a live recording of Schumann and Dvo?ák’s piano concertos with Andris Nelsons and the City of Birmingham Symphony Orchestra, all for Hyperion Records. His award-winning iPad app The Liszt Sonata was released by Touch Press in 2013.

As a composer Hough is writing the commissioned work for the 2022 Van Cliburn International Piano Competition, to be performed by all 30 competitors in May/June 2022. His String Quartet No.1 will be premiered by the Takács Quartet in December 2021 at Segerstrom Center for the Arts, Costa Mesa. He has been commissioned by Wigmore Hall, Musée du Louvre, London’s National Gallery, Westminster Abbey, Westminster Cathedral, the Genesis Foundation, Gilmore International Keyboard Festival, the Walter W. Naumburg Foundation, the Cliburn Foundation, Orquesta Sinfónica de Euskadi and the Berlin Philharmonic Wind Quintet. His music is published by Josef Weinberger Ltd.

As an author, his collection of essays Rough Ideas: Reflections on Music and More, published by Faber & Faber in August 2019, won the 2020 Royal Philharmonic Society Awards’ Storytelling category and was named one of Financial Times’ Book of the Year 2019. Hough’s first novel, The Final Retreat, was published by Sylph Editions in March 2018. He has been published by The New York Times, The Telegraph, The Times, The Guardian and the Evening Standard. Hough is an Honorary Bencher of the Middle Temple, an Honorary Member of the Royal Philharmonic Society, a 2019-22 Visiting Fellow at Lady Margaret Hall, Oxford, a Visiting Professor at the Royal Academy of Music, the International Chair of Piano Studies at the Royal Northern College of Music (of which he was made a Companion in 2019), and is on the faculty of The Juilliard School in New York.


ZHANG Lu, conductor

Young Chinese conductor and pianist Zhang Lu was born in a music family. In 1993, he started to learn piano with Russian pianist Elena Kaminskaya. In 2006, he entered the Shanghai Conservatory of Music to major in orchestral conducting and piano, working under Yu Long, Zhang Guoyong, Wu Ying, Shao Dan, Sheng Yiqi, and Sun Yindi. He went to Finland to further his study on orchestral conducting in 2013, then began to study in Academia di Santa Cecilia. At the same time, he perfected his opera conducting with the Principal Artistic Director of La Scala. During his study, he has received guidance from maestro Gennady Rozhdestvensky and Charles Dutoit, and great pianists including Gary Graffman, Paul Badura-Skoda, and Fu Ts’ong.

Zhang has demonstrated great potential since an early age, obtaining the first place in Moscow International Teenager Piano Competition twice. In 1994, he won with the first place in Kabalevsky’s Piano Works Performance Competition. Moreover, he has obtained the scholarship from a Russian International Culture & Art Foundation four years in a row. During college, he has won silver prizes in 2009 Golden Bell Piano Competition and 2013 Golden Bell Piano and String Competition.

In 1996, he started his career in the Main Concert Hall of Tchaikovsky Conservatory of Music in Moscow, performing Beethoven’s Piano Concerto No.1 with Russian Ministry of Culture Symphony Orchestra. This concert was highly approved by the orchestra and the audience. As pianist and conductor, he has joined hands with many major orchestras from China and abroad, including China Philharmonic, Shanghai Symphony, Guangzhou Symphony, Shenzhen Symphony, Hangzhou Philharmonic, Voronezhskaya Symphony, Kuopio Symphony, Seinajoki Municipal Symphony, Szolnok Symphony, Toscana Symphony, and so on.

Under the invitation of San Francisco’s Mayor, Zhang held several recitals in this city in 1999. In 2013, he conducted Shenzhen Symphony Orchestra to record an album of Elgar’s Cello Concerto, Bloch’s Schelomo, and Bruch’s Kol Nidrei with cellist Susan Lamb. In 2018, he cooperated with composer Tan Dun and violinist Eldbjorg Hemsing to perform on the Norwegian King’s State Visit to China Banquet. In 2019, he was invited by the 52nd Festival Delle Nazioni to conduct Symphony and perform in the closing ceremony as a pianist under the baton of Lin Daye. As Tan Dun’s assistant conductor, he has joined Tan Dun’s Music Week, Martial Arts Trilogy Concert, and Rock the Symphony Roll Concert. Besides, he has been very active to promote Chinese modern opera, conducting The Magical Horse with Two Wings in 2019 (director: Chen Wei).

In 2020, Zhang was appointed as the assistant conductor of Shanghai Symphony Orchestra.


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