交響音樂會

  • 2022年02月20日 星期日 19:30
  • 購票指南中山公園音樂堂
  • VIP 680元/380元/180元

導賞  本場音樂會上的三首作品均出自俄羅斯作曲家之手,也許在寒冷的季節,聆聽俄羅斯音樂里火熱的激情是最能驅寒的生活方式了。斯特拉文斯基曾根據安徒生的童話故事寫下歌劇《夜鶯》,他先是在1908年完成了第一幕,隨后又在1913-1914年完成了后兩幕,中間間隔的幾年時間里他創作了震驚世人的芭蕾三部曲(《火鳥》、《彼得魯什卡》與《春之祭》),也正是因為這段經歷使得他開始懷疑是否還有必要把歌劇《夜鶯》完成,因為他已經決心成為一名純粹的交響音樂作曲家了。不過,最終斯特拉文斯基還是完成了這部作品,同時幾年后他用歌劇里的音樂元素創作了交響詩《夜鶯之歌》——事實證明,這首交響詩是遠比歌劇原作更加優秀的作品,也是如今音樂會舞臺上除了芭蕾三部曲之外最常演奏的斯特拉文斯基作品之一。

帕格尼尼主題狂想曲是拉赫瑪尼諾夫在風景如畫的瑞士琉森湖邊寫下的,作曲家在湖邊的塞納別墅里度過了好幾個夏天,在這里寫下了帕格尼尼主題狂想曲與第三交響曲兩部杰作。在聆聽帕格尼尼主題狂想曲最優美的第18變奏時,聽者很自然地會聯想起月色倒映在湖面上的美景。這部作品是1934年的夏天在瑞士誕生的,同年11月,拉赫瑪尼諾夫帶著新作來到美國馬里蘭州的巴爾的摩,在這里與斯托科夫斯基指揮的費城交響樂團一同進行了首演,從那一天起,古典音樂的世界里又多了一部杰作,鋼琴家們也多了一個棘手的挑戰。如今,只有第一流的鋼琴家才能夠挑戰這部作品。

穆索爾斯基最著名的作品《圖畫展覽會》原本是為鋼琴獨奏所寫的,作曲家在出席紀念畫家哈特曼的畫展時獲得靈感,以哈特曼的作品為標題寫下了一組高難度的鋼琴曲。可以說,穆索爾斯基的鋼琴原版已經是了不起的杰作了,但拉威爾配器的版本卻讓其藝術價值更上一層樓,同時也掀起了為“圖展”配器的熱潮,直到今日,新配器的版本依然層出不窮。聆聽拉威爾配器的《圖畫展覽會》,我們就能理解為什么它會成為過去一個世紀里這么多作曲家的靈感源泉:原作本就精彩紛呈的旋律,加上大師級的配器手法,達到了1+1>2的效果,變幻莫測的配器手法讓人不由自主地凝神屏息,生怕因錯過其中的細節而悔恨。


交響音樂會

Symphonic Concert


伊戈爾·斯特拉文斯基:夜鶯之歌

謝爾蓋·拉赫瑪尼諾夫:帕格尼尼主題狂想曲,作品43

莫杰斯特·穆索爾斯基(配器:莫里斯·拉威爾):圖畫展覽會


鋼琴:基里爾·格爾斯坦

指揮:鄧肯·沃德


鋼琴:基里爾·格爾斯坦


指揮:鄧肯·沃德


Igor STRAVINSKY: Le chant du rossignol

Sergei RACHMANINOFF: Rhapsody on a Theme of Paganini, Op.43

Modest MUSSORGSKY (Maurice RAVEL, orch.): Pictures at an Exhibition


Kirill GERSTEIN, piano

Duncan WARD, conductor


Duncan WARD, conductor

British conductor Duncan Ward has established himself as one of the most exciting and versatile conductors of his generation and enjoys working regularly with some of the world’s leading ensembles and opera houses. Duncan is Chief Conductor Designate of philharmonie zuidnederland, a position he will take up in September 2021 for an initial three season contract. In January 2020, he was appointed by Festival d’Aix-en-Provence as Music Director of the Mediterranean Youth Orchestra, a position which he holds until 2023.

Recent highlights have included engagements with Staatskapelle Dresden, London Symphony Orchestra, Deutsche 

Kammerphilharmonie Bremen, Aurora Orchestra, Staatsorchester Stuttgart, Royal Liverpool Philharmonic, Finnish Radio Symphony, Orchestre de la Suisse Romande and Gürzenich Orchester. At the beginning of the 2019/20 season, Duncan gave the German premiere of Brett Dean’s acclaimed Hamlet at Oper K?ln.

From 2012-14 he was Conducting Scholar of the Berliner Philharmoniker Orchester-Akademie, to which he was appointed on the recommendation of Sir Simon Rattle. And from 2015-2017, he was Principal Conductor of Sinfonia Viva – one of the UK’s most dynamic ensembles. He also held the post of Associate Conductor of the National Youth Orchestra of Great Britain.

Plans for the 2020/21 season include debuts with the Rotterdam Philharmonic, Zürcher Kammerorchester, Orchestre Philharmonique Royal de Liège, Moscow Philharmonic, Orchestre Philharmonique de Strasbourg, Orquestra Simfónica de Barcelona i Nacional de Catalunya, Musikkollegium Winterthur, Bochum Symphoniker & NFM Wroclaw Philharmonic. In addition, he will make return visits to London Symphony Orchestra, Münchener Kammerorchester, Orchestre de la Suisse Romande, Royal Northern Sinfonia and Oper K?ln for a production of Rigoletto.

Praised equally for his ‘viscerally exciting’ performances of Beethoven and Haydn symphonies as his committed and sensitive interpretations of demanding new works, Duncan is passionate about a hugely wide-ranging repertoire. He is as at home working with period instrument ensembles such as Balthasar Neumann, elite chamber ensembles such as Deutsche Kammerphilharmonie Bremen and the symphony orchestras of the BBC as directing the world’s foremost contemporary music ensembles like Ensemble Modern. This is not to mention his acclaimed work with the homeless performers of Streetwise Opera, including a special performance at the Royal Opera House as part of the London 2012 Olympics Festival, or directing 500 amateur musicians in a supersize Riley 'In C' at the Elbphilharmonie, Indian classical collaborations with Anoushka Shankar, and with celebrated Nordic folk band Dreamers' Circus.

Operatic engagements have included Dutch National Opera for a double bill of Bernstein’s Trouble in Tahiti and Macmillan’s 

Clemency; Don Pasquale, Cendrillon and Hamlet for Glyndebourne-on-Tour, Death in Venice with Mark Padmore at the St Endellion Festival, La Traviata at Baden-Baden Festspielhaus, the Chinese premiere of Peter Grimes with a stellar international cast and London Voices, Saariaho’s La Passion de Simone at Deutsche Oper in a new production by Peter Sellars, a Barber of Seville for young audiences at the Salzburg Festival, a chamber version of Manon Lescaut with the Berliner hilharmoniker at the Baden-Baden Easter Festival, and opera galas with singers from Venera Gimadieva to Rolando Villazon.

Opportunities during his two years at the Berliner Philharmoniker included assisting and rehearsal conducting for Die Zauberfl?te, Gurre-Lieder, Die Walküre, Le Grand Macabre, Britten’s War Requiem, G.F.Haas in vain and premieres by Wolfgang Rihm and Benedict Mason. He additionally conducted the Britten 100th Birthday concert with members of the Berliner Philharmoniker and Ian Bostridge, a Webern concert and production of ‘Kleine’ Manon Lescaut with the Principal Players of the orchestra at their Baden-Baden Easter Festival, and a special concert 'Violins of Hope' with the Berlin Philharmonic Strings to mark the 70th anniversary of the liberation of Auschwitz.

Following a month working in India in 2006, Duncan subsequently co-founded the WAM Foundation which sent young UK musicians each year to teach Western classical music in schools across Delhi, Mumbai, Kolkata and Kerala. The charity attracted the attention of the great late Ravi Shankar, who invited Duncan to study with him in California in 2010. Duncan is also closely involved with the South African charity MIAGI (Music Is A Great Investment) and, to celebrate the centenary of Nelson Mandela’s birth in 2018, led the MIAGI Orchestra on an acclaimed summer festivals tour which included concerts at the Concertgebouw in Amsterdam, Elbphilharmonie in Hamburg and the Berlin Konzerthaus.

Also an accomplished composer - winner of the 2005 BBC Young Composer of the Year – Duncan is now published by Peters Edition. Recent composing highlights include arrangements of Dvo?ák songs for performances given by Sir Simon Rattle and Magdalena Ko?ená (performed in cities across Europe), an orchestral work for the LSO featured on their recent CD release of Panufnik Scheme Highlights, a commission for the Bamberger Symphoniker, and a theatrical version of We’re Going on a Bear Hunt performed by members of the National Youth Orchestra at the Southbank’s Imagine Festival. His works have also been performed by the Swedish Radio Symphony, BBC National Orchestra of Wales, Endymion Ensemble, BBC Singers and The Sixteen.


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